This is the artwork I created for Day 3 of the Noted Festival as Illustrator in Residence.
The first session was the Girls Write Up event hosted by Noted in partnership with The Stella Prize. I was able to attend Winnie Dunn’s inspiring keynote address on the importance of diverse representation in our literature. I wish I could have stayed for the whole day. xx
The second session I attended was a neat panel on the importance of art in our society, hosted at Smith’s Alternative Bookstore. Speakers were Ellen Harvey, Emma Rose Smith, Grace O’Brien and Neha Kale.
The third session I attended was a neat panel on the good, bad and ugly of writing and editing, hosted at Smith’s Alternative Bookstore. Speakers were Alan Vaarwerk (Kill Your Darlings), Sian Campbell (Scum Magazine) and Irma Gold.
Hope you like them.
You can view other Noted artwork at the links below.
This was the artwork I created for Day 2 of Noted Festival.
The first images are my interpretations of poetry stanzas I heard at a rotating poetry session held at Smith’s Alternative Bookstore.
Art inspired by Miranda Lello’s terrific poem The World on Sir J Herschel’s Projection by John Bartholomew.
Art inspired by Andrew Galan’s poem Black Sun.
Art inspired by Allis Hamilton’s Whence.
The next set of art is from a professional development session called Ghosts in the Seams with award-winning horror writer, Kaaron Warren, held at the Green Shed Underground. This involved trying on secondhand clothes to discover character.
This is the artwork I drew for the May 4 events of the 2017 Noted Festival in Canberra.
Burrows and Luciana Harrison, in conversation with Nick Delatovic for the Let’s Get Lyrical session. These players are on Triple J Unearthed as Pocket Fox for you to check out. Their music is ethereal and gorgeous.
Alexandra Neill for the Mail Club session.
Blemish Books’ with Triptych Poets for the Pulpture Project.
Artists included: Nicci Haynes, Angharad Lodwick and Brooke McEachern.
This is the art for the Conflux 13 convention that I was commissioned to do on the theme of Grimm Tales (read, dark fairy tales and fairy tale reimaginings). If you head over to the Conflux page, you can see it at work and even buy your membership to the con if you are a spec fic person looking for a fab trip to Canberra (alternatively, you can click on the pic and it comes up full size).
For this art commission, I tried a technique I haven’t used before: this one was all drawn on black cardboard (with lots of ruler measurements to keep the symmetry) and the parts not meant to be black were cut out and the rest just scanned onto the computer. I think the incising made the blacks nice and sharp and gave the work a neat dark feel that I felt was appropriate for this particular project. I used Photoshop to fill in the rest of the colours and viola. The cool thing about this was that it was only about 14 hours of work from concept to completion and so I was able to knock it off while listening to audiobooks – all in all, a productive and happy art day.
I’m pretty proud that my artwork gets to play a part in a spec fic convention whose guests of honour are Ellen Datlow (squee!) and Angela Slatter (also squee!). Can’t wait to catch up with everyone at the con.
This artwork complements the art I’ve designed for the Conflux 13 convention cover (my usual ink drawn style):
A thought from Conflux 12 (courtesy of Sean Williams):
A single good idea is not enough for a story. You need to let it sit and then, like a lolly left under the bed, it gathers concepts like fuzz. Eventually, that fuzz reaches critical mass and things begin to grow out of the lint and dustbunnies – ideas link up, worlds and characters appear and a narrative forms and that is the start of Story.